Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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CLAEISSENS, Pieter the Younger
Allegory of the 1577 Peace in the Low Countries dfg

ID: 06062

CLAEISSENS, Pieter the Younger Allegory of the 1577 Peace in the Low Countries dfg
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CLAEISSENS, Pieter the Younger Allegory of the 1577 Peace in the Low Countries dfg


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CLAEISSENS, Pieter the Younger

Flemish Northern Renaissance Painter, ca.1500-1575  Related Paintings of CLAEISSENS, Pieter the Younger :. | Garden of Eden fdgd | Saint Luke Drawing the Virgin and Child | European city landscape, street landsacpe, construction, frontstore, building and architecture. 224 | Concert of Angels and Nativity | american gothic |
Related Artists:
Nicholas Pocock
British Painter, 1741-1821 English painter. After an apprenticeship in the Bristol shipbuilding yards of Richard Champion, Pocock began a career at sea in the mid-1760s. He was a practised and gifted amateur watercolourist (his earliest signed and dated watercolour is from 1762), and when in command of the Lloyd, one of Champion's merchantmen, he began to keep detailed logbooks illustrated with wash drawings (four at London, N. Mar. Mus.). In 1780 he gave up his sea career, married and sent his first oil painting to the Royal Academy. The picture arrived too late for exhibition, but Sir Joshua Reynolds wrote back, noting 'It is much beyond what I expected from a first essay in oil colours'. Pocock exhibited annually at the Academy between 1782 and 1812 and enjoyed a steady supply of commissions for oil paintings and watercolours, mostly of marine subject-matter. He produced a series of watercolour views of Bristol (stylistically close to Edward Dayes) in the 1780s, many of which were engraved, and of Iceland in 1791.
A. Bryan Wall
American, 1872-1937
Crane, Walter
English Golden Age Illustrator, 1845-1915 English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808-59). A series of illustrations to Tennyson's The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver William James Linton, to whom Crane was apprenticed in 1859. From 1859 to 1862 Crane learnt a technique of exact and economical draughtsmanship on woodblocks.






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