Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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CLAEISSENS, Pieter the Younger
Allegory of the 1577 Peace in the Low Countries dfg

ID: 06062

CLAEISSENS, Pieter the Younger Allegory of the 1577 Peace in the Low Countries dfg
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CLAEISSENS, Pieter the Younger Allegory of the 1577 Peace in the Low Countries dfg


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CLAEISSENS, Pieter the Younger

Flemish Northern Renaissance Painter, ca.1500-1575  Related Paintings of CLAEISSENS, Pieter the Younger :. | Christian IV s musicians | Gate of the Fortress at Agra, India | How Sir Galahad,Sir Bors and Sir Percival were Fed with the Sanc Grael But Sir Percival's Sister Died by the Way (mk28) | Youth with a Ram | Cemetery on Mount Oybin |
Related Artists:
Frederic Leighton, 1st Baron Leighton
Frederic Leighton, 1st Baron Leighton PRA (3 December 1830 - 25 January 1896), known as Sir Frederic Leighton, Bt, between 1886 and 1896, was an English painter and sculptor. His works depicted historical, biblical and classical subject matter. Leighton was bearer of the shortest-lived peerage in history; after only one day his hereditary peerage ended with his death.
Theodore Ravanat
(born in Grenoble on 4 May 1812, died in Proveysieux on 21 September 1883) was a French landscape painter. Ravanat's work is mostly composed of Dauphine landscapes. His paintings are generally among private collections of Grenoble, but some of these paintings can be seen at the Museum of Grenoble or the Musee dauphinois.
Reginald Marsh
American Social Realist Painter, 1898-1954,American painter, printmaker and illustrator. He returned from France to the USA with his American parents, Fred Dana Marsh (1872-1961) and Alice Marsh, who were also artists, in 1900. In 1920 he graduated from Yale University, New Haven, CT, where he had been art editor and cartoonist for the Yale Record. He moved to New York and became staff artist for Vanity Fair and the New York Daily News. By 1923 he had begun painting scenes of street life in New York in oil and watercolour. His first one-man show was held at the Whitney Studio Club in 1924. In 1925 he joined the New Yorker, to which he contributed regularly until 1931.






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